展訊 | 見(jiàn)山——墨白畫(huà)展
藝術(shù)家:墨白
策展人:馬丁、李想
展覽統(tǒng)籌:戚嫣然
主辦單位:北京·馬丁畫(huà)廊
開(kāi)幕時(shí)間:2024年8月31日15:30
展覽時(shí)間:2024年8月31日——2024年09月20日
展覽地點(diǎn):北京市通州區(qū)宋莊鎮(zhèn)小堡陸零藝術(shù)區(qū)103-2 馬丁畫(huà)廊
藝術(shù)家簡(jiǎn)介:
墨白
原名賈少波,字子舉,見(jiàn)山草堂
中國(guó)美術(shù)家協(xié)會(huì)會(huì)員
中國(guó)書(shū)法家協(xié)會(huì)會(huì)員
中國(guó)藝術(shù)研究院導(dǎo)師
國(guó)家一級(jí)美術(shù)師
河北美術(shù)家協(xié)會(huì)理事
邢臺(tái)美協(xié)副主席
國(guó)展創(chuàng)作中心導(dǎo)師
馬丁畫(huà)廊簽約藝術(shù)家
Mobai
Originally named Jia Shaobo, Character: Ziju, See Shancaotang
Member of China Artists Association
Member of the Chinese Calligraphers Association
Mentor of China Academy of Art
National First Class Artist
Director of Hebei Artists Association
Vice Chairman of Xingtai Artists Association
Mentor of Guozhan Creative Center
Martin Gallery signed artists
藝術(shù)評(píng)論:
文/唐文國(guó)
Article/Tang Wenguo
自由呼吸一一一對(duì)于少波兄來(lái)說(shuō),繪畫(huà)不僅是一種藝術(shù)創(chuàng)造,更是一種生活態(tài)度。通過(guò)此手段,將自己的想法得以呈現(xiàn),盤躊散懷始得左右山川,日日相浸方見(jiàn)煙云相生,他的作品常常用散鋒,散則散懷看似放浪形骸實(shí)則蓄意藏逸,墨色線則忌艷麗甜俗油滑,大尺幅小盈寸他總能揚(yáng)的起壓的住,能表現(xiàn)出大千萬(wàn)象,亦可小橋流水人家,有了如此大的格局,氣息方能注入筆端,形成自己賈家山水面貌,時(shí)下山水圈不多見(jiàn),當(dāng)可喜可賀。
For Mo Bai, painting is not only an artistic creation, but also a way of life. Through this method, his ideas can be presented, and his thoughts can only be expressed through wandering and scattering. Every day, he immerses himself in the mountains and rivers, and the smoke and clouds grow together. His works often use the technique of scattering, which appears to be unrestrained but is actually deliberately hidden. The ink lines should avoid being too bright, sweet, vulgar, and oily. He can always rise and fall with a large scale and a small inch, and can express a thousand things, as well as small bridges, flowing water, and homes. With such a large layout, the breath can be injected into his writing, forming his own Jia family's landscape. Nowadays, the landscape circle is rare, which should be gratifying and congratulatory.
盡管他在藝術(shù)創(chuàng)作的道路上經(jīng)歷了許多困惑和不解,但他卻始終保持對(duì)藝術(shù)的陌生感和執(zhí)著力。藝術(shù)最舒服的樣子是寄情山水間,與山川萬(wàn)物融合一起能夠自由呼吸,是當(dāng)下人之向往,這種對(duì)生活和藝術(shù)的理解,使他的作品既接地氣,又充滿靈性。他的作品,看似逸筆草草卻總能在不經(jīng)意間觸動(dòng)到觀者,總能在荒率中找出令人驚嘆的細(xì)節(jié)表現(xiàn),讓人感受到一種真實(shí)和遐思。通過(guò)他的作品,我們看到了一個(gè)真實(shí)的墨白,一個(gè)充滿熱愛(ài)和執(zhí)著的藝術(shù)家,不久的時(shí)間他一定會(huì)成為畫(huà)壇一道獨(dú)特的風(fēng)景,至少目前他已形成了自己的筆墨語(yǔ)言,來(lái)泡杯茶——我們一起期許著他的將來(lái)。
Despite experiencing many confusions and confusions on the path of artistic creation, he has always maintained a sense of unfamiliarity and persistence towards art. The most comfortable form of art is to immerse oneself in the mountains and rivers, to blend with all things in the mountains and rivers and breathe freely, which is the aspiration of people today. This understanding of life and art makes his works both down-to-earth and full of spirituality. His works, although seemingly casual and hasty, always touch the viewer unintentionally, and he can always find stunning details in the wilderness, making people feel a sense of authenticity and contemplation. Through his works, we see a true Mo Bai, an artist full of passion and persistence. In the near future, he will definitely become a unique landscape in the art world. At least for now, he has formed his own Jia family style. Let's make a cup of tea together and look forward to his future.
唐文國(guó)(國(guó)家畫(huà)院策展部主任)
2024.8.14
時(shí)值伏末G117赴金陵
途中匆匆而就以賀
部分展覽圖片:
《山水意象系列之一》Landscape Imagery Series 1
紙本水墨 ink on paper
256cm×124cm
2024
《山水意象系列之二》Landscape Imagery Series 2
紙本水墨 ink on paper
256cm×124cm
2024
《山水意象系列之三》Landscape Imagery Series 3
紙本水墨 ink on paper
256cm×124cm
2024
《山水意象系列之四》Landscape Imagery Series 4
紙本水墨 ink on paper
256cm×124cm
2024
《山水意象系列之五》Landscape Imagery Series 5
紙本水墨 ink on paper
256cm×124cm
2024
《山水組圖》Landscape Atlas
紙本水墨 ink on paper
26cm×26cm
2024
《書(shū)法系列》Calligraphy Series
紙本水墨 ink on paper
206cm×106cm
2024
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